VCE Drama (Year 11) · Unit 1 — Performance Styles and Contemporary Drama Practices · 12m read
Creating and Presenting a Devised Performance
Units 1 and 2 ask you to create and present devised performances. This is where you learn the play-making process you will use all the way to Unit 4.
Learning objective: Use a play-making process to create and present a devised performance from stimulus, applying a chosen performance style.
By the end of this lesson you can:
- I can explore a stimulus to generate ideas.
- I can shape ideas into a structured performance in a chosen style.
- I can rehearse and present with clear intention.
Devising is a science experiment. Start with a question (stimulus), test ideas through improvisation, keep what works, and present your findings to an audience.
The play-making process
- EXPLORE the stimulus — an image, object, poem, song, news story or person.
- GENERATE ideas with improvisation, tableaux, hot-seating and brainstorming.
- DECIDE your intention — what should the audience think or feel?
- CHOOSE a style and conventions that suit the intention.
- STRUCTURE scenes (linear, episodic, non-linear or cyclical).
- REHEARSE, get feedback and refine.
- PRESENT to an audience.
- REFLECT in your journal.
Worked example (Medium)
Stimulus: an old pair of running shoes. Suggest an intention, a style and a structure.
- Ideas. Ambition, ageing, a lost dream, a parent’s sacrifice.
- Intention. Make the audience reflect on dreams we give up for others.
- Style and structure. Non-naturalistic, non-linear: flashbacks triggered each time the shoes are touched.
Answer: Intention: reflect on sacrificed dreams; style: non-naturalistic with the shoes as a recurring symbol; structure: non-linear flashbacks.
Common mistakes
- Writing a full script before exploring Devising grows from improvisation. Fix: Improvise first, then select and shape.
- Not documenting the process Analysis tasks need evidence of decisions. Fix: Keep a dated journal of ideas and changes.
Practice questions
Interviewing an actor in role to develop their character is called:
- Tableau
- Hot-seating
- Blocking
- Mime
(1 marks)
Describe three stages of the play-making process you used in a recent devised piece.
(3 marks)
Summary
- Explore, generate, decide intention, choose style, structure, rehearse, present, reflect.
- Improvise before scripting.
- Keep every scene connected to your intention.
- Document the process.