Year 10 Drama · Making Drama — Create and Perform · 11m read
Playwriting
Every play started as an empty page. Playwriting combines story, character and theatricality.
Learning objective: Write an original short play with strong characters, conflict and structure.
By the end of this lesson you can:
- I can create dramatic conflict.
- I can write natural dialogue.
- I can structure a play for performance.
A play is pressure building in a volcano. Playwrights put characters with opposing wants in a confined space and turn up the heat. Each scene adds pressure until something must erupt — the climax.
Writing for performance
DRAMATIC STRUCTURE:
• Exposition, inciting incident, rising action, climax, resolution.
CONFLICT:
• Character vs character, self, society, nature.
DIALOGUE:
• Reveals character and advances action; subtext; avoid explaining everything.
THEATRICALITY:
• Write for the stage: action, space, visual moments, stage directions.
REDRAFTING:
• Table reads and feedback.
| Element | Tip |
|---|---|
| Inciting incident | Arrives early and disrupts normal life |
| Conflict | Two characters want incompatible things |
| Dialogue | People rarely say exactly what they mean |
| Stage directions | Only essential actions; no camera directions |
| Ending | Change — someone wins, loses or learns |
Key ideas at a glance
- Start late, leave early: Enter scenes mid-action.
- Conflict every scene: Something is at stake.
- Write subtext: Let actors find meaning.
- Read aloud: Hear the rhythm.
Worked example (Medium)
Improve: "I am angry because you lied to me about the money."
- Problem. States emotion directly.
- Improved. "Where's the money, Sam?" (She holds up the empty tin.)
Answer: Show emotion through action and subtext, not explanation.
Worked example (Hard)
Rewrite an on-the-nose line with subtext: "I'm really upset that you forgot my birthday."
- Situation. Friend arrives late with no gift.
- Subtext line. "Oh, you're here. Cake's gone, but there's… some napkins."
- Effect. Hurt is shown through sarcasm and action.
Answer: Characters hint at feelings rather than stating them.
Common mistakes
- Characters explaining feelings It feels unnatural. Fix: Use subtext and action.
- Characters explaining their feelings Unnatural, no tension. Fix: Show feelings through action and subtext.
Formatting a script
Standard stage-play format:
- CHARACTER NAMES in capitals, centred or left.
- Dialogue beneath.
- *(Stage directions)* in italics and brackets.
- Scene headings: "Scene 2. A bus stop. Night."
Clean formatting makes a script easy for actors and directors to use.
Practice questions
The event that starts the main conflict is the:
- Climax
- Inciting incident
- Resolution
- Exposition
(1 marks)
Why do table reads help playwrights?
(2 marks)
An inciting incident:
- Ends the play
- Disrupts normal life and starts the main conflict
- Is a costume
- Is the interval
(1 marks)
"Start late, leave early" means:
- Arrive late to rehearsal
- Enter scenes mid-action and leave before they drag
- Write at night
- Short plays only
(1 marks)
Write a two-line exchange with subtext showing jealousy.
(2 marks)
Summary
- Dramatic structure and conflict.
- Natural dialogue with subtext.
- Redraft with feedback.
- Conflict, subtext and change drive a play.